The great bowl of Cadair Idris in mid-Wales is the subject of this painting. I climbed as far as Llyn Cau in the winter of 2017 accompanied by the odd raven and, nothing else. Your reward in the biting cold and the ice that starts to form on your boots at elevation is a spectacle that stays with you until the summer.
Many artists have attempted to capture something of this mountain, most notably Richard Wilson’s famous 1760 painting in the Tate Gallery of Llyn Cau as observed from Mynyyd Moel. In fact the principal subject in my work is the boulder, for as you stumble towards Llyn Cau one cannot help notice the blocks of stone lazily deposited by ice in the valley, etched and marked as if by a giant hand.
In one location the white quartz boulder shone in the furze, a true erratic, as lost perhaps as a painter on the lonely slopes of the mountain.
Acrylic on canvas
920x1220mm
SOLD
[…] The view west towards Craig Cau I have also captured in painting and is a revelation – a great gouge out of the mountain as if a cupped hand had scraped up the earth, but of course one that you are most likely to see in the day as a wild camp on the summit or evening descent can be so dangerous. I had to imagine the last grip of the sun on the ridge of the cwm and the icy shadow pass over Llyn Cau… […]
[…] painting of Cwm Cau and Llyn Cau titled Quartz, Erratic was created in the studio following my 2017 residency at Stiwdio Maelor, […]